Feminism in God is A Woman MV: A Multimodal Critical Discourse Analysis

Gema Ariani Rahmawati, Ichwan Suyudi

Abstract


Music as one of the largest media is used to influence audiences, which in this case is woman portrayal or feminism. Ariana Grande released a woman empowerement song and its music video entitled that portrays feminism. The goal of this study is to examine the portrayal of feminism in Ariana Grande's God Is a Woman MV. The data in this qualitative research is analyzed using Multimodal Critical Discourse Analysis (MCDA). The findings revealed that the God is a Woman MV symbolizes post-modern feminism ideology, as shown by Ariana as the primary character who has the freedom to express herself, full authority over her body, and the power or strength to confront patriarchy. Furthermore, the music video depicts radical feminism ideology by depicting woman superiority over man. Ariana impact audiences by messages given, which are a post-modern feminist concept and radical feminism ideology, through using music videos as a platform to influence audiences.

Keywords


Feminism, Post-modern, Radical, Multimodal, Critical Disourse Analysis

Full Text:

PDF

References


Apuke, O. D. (2019). Portrayal and Objectification of Women in Music Videos: A Review of Existing Studies. TSU Journal of Communication and Media Studies, 2(1), 160–174.

Brady, C. K. (2015). A Multimodal Discourse Analysis of Female K-Pop Music Videos. 78.

Dijk, T. A. Van. (2017). Discourse and Power. Bloomsbury Publishing.

Escalera López, H. (2017). Roaring Women: A multimodal critical discourse analysis of the conceptual metaphor of women as an animal in songs.

Fairclough, N. (2013). Critical Discourse Analysis: The Critical Study of Language. Routledge.

Grande, A. (2018). God is A Woman MV. Youtube. https://www.youtube.com/watch?v=kHLHSlExFis

Harper, B., & Tiggemann, M. (2008). The Effect of Thin Ideal Media Images on Women’s Self-Objectification, Mood, and Body Image. Sex Roles: A Journal of Research, 58(9), 649–657. https://doi.org/https://psycnet.apa.org/doi/10.1007/s11199-007-9379-x

Kress, G., & Leeuwen, T. Van. (2006). Reading Images: The Grammar Visual of Design. Routledge. https://www.ptonline.com/articles/how-to-get-better-mfi-results

Kumar Mohajan, H. (2022). An Overview on the Feminism and Its Categories. In Research and Advances in Education (Vol. 1, Issue 3). https://doi.org/10.56397/rae.2022.09.02

Mandarani, V., Nuroh, E. Z., Alfarisi, I. S., & Eka, T. (2018). the Relation of Discourse Analysis About Rohingya News. English Language and Literature Conference (ELLiC), 2, 341–345. https://jurnal.unimus.ac.id/index.php/ELLIC/article/view/3552

Merriam-Wesbter Dictionary. (n.d.). Merriam-Webster.

Oxford Learner’s Dictionary. (n.d.). Oxford University Press.

Paramitha, N. P. (2022). MALE POWER ABUSE VS FEMALE SOLIDARITY IN I AM WOMAN MOVIE , A CRITICAL DISCOURSE ANALYSIS.

Putri, A. G., Amalia, R. M., & Pamungkas, K. (2017). Positive Representation of Women in Beyonce’s Song Lyrics: A Discourse Analysis. Proceedings of The 1st National Conference on Teachers ’ Professional Development, 87–95. http://tpd.unsyiah.ac.id/publication/index.php/TPD/article/viewFile/12/12

Saimon, M., & Dodoma, C. (2019). GENDER IDENTITY : A MULTIMODAL CRITICAL DISCOURSE ANALYSIS OF BONGO FLAVA -SONG VIDEO NIAMBIE Vol . 12 / No . 1 / April 2019- Profetik Jurnal Komunikasi. 12(1), 5–20.

Subhaborwornrat, W., & Punkasirikul, P. (2022). A Multimodal Critical Discourse Analysis of Online Soft Drink Advertisements. LEARN Journal: Language Education and Acquisition Research Network, 15(1).

Susanto, I. F. (2018). VOICELESS TINKERBELL IN PETER PAN VERSUS VOICED TINKERBELL IN TINKERBELL : A FEMINIST POINT OF VIEW.

Tong, R. (2018). Feminist Thought: A More Comprehensive Introduction. In Westview Press (Vol. 4, Issue 1).




DOI: http://dx.doi.org/10.20527/jetall.v6i1.15279

Article Metrics

Abstract view : 2278 times
PDF - 3250 times

Refbacks

  • There are currently no refbacks.


 

This journal is indexed in:

         

  

This Journal is listed in: